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Stuart Barnes

Writer

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Buy Glasshouses

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Readings
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The Nile
University of Queensland Press 

Ebook copies of Glasshouses are available at ebooks.com and Kobo.

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My Tweets

Glasshouses: the soundtrack

Instagram

interrupting this Insta break to say — loved guest-editing @australian_poetry Journal 11.1 ‘local, attention’ w the wonderful @clairemgaskin (xxx). here’s the Contents & our Foreword. you can order your copy via link in bio. thanks to all the poets & Team AP ❤️
my poem ‘Duplex’, a response to an HIV+ friend’s response to the @time article ‘HIV Used To Be a Death Sentence. Here’s What’s Changed in 35 Years’. I adore this form, part sonnet, part ghazal, part blues, invented by @jerichobrown1. big thx @zbtusa & @vickymwriter for including ‘Duplex’ in @poetrywales’ Summer issue (link in bio) ❤️
@handwrittenpages’ drawings of grevillea, based on my photos (see previous post), are absolutely gorgeous. thank you, Adam, for colouring my/our Monday/s! 🚀
🚀
tysm @levihuxton for your v kind words about Glasshouses + dazzling photos! 💛
for anyone who needs to see the sea 💚 iii & iv

Blogroll

Alison Whittaker
Amanda O’Callaghan
Andrea Goldsmith
Anna Jacobson
APOD
Australian Poetry
Benjamin Dodds
Carmen Leigh Keates
Cassandra Atherton
Charmaine Papertalk Green
Claire Gaskin
David Stavanger
Declan Fry
Ellen van Neerven
Esther Ottaway
FALLFALLEN
Felicity Plunkett
Fingal Town Hall Project
Fiona Robertson
Gavin Yuan Gao
H. C. Gildfind
Holden Sheppard
Jarad Bruinstroop
Jessica L. Wilkinson
Jill Jones
Joseph Schreiber
Josephine Taylor
Julie Koh
Justin Clemens
Lachlan Brown
Lisa Brockwell
Luke Best
Matt Hetherington
Melinda Smith
Michele Seminara
Mykaela Saunders
Natalie Harkin
Nick Wales
Nigel Featherstone
Prithvi Varatharajan
Queensland Poetry
Rabbit: a journal for nonfiction poetry
Rae White
Rebecca Jessen
Recent Work Press
Rico Craig
Rose Hunter
Sara Saleh
Shastra Deo
Simon Ancher Studio
Stephen J. Williams
stereogamous
Tony Messenger
University of Queensland Press
Whitmore Press
ZAZIZ
Zenobia Frost

Acknowledgement of Country

I acknowledge the Darumbal people, the traditional owners of the unceded land on which I work, learn and play, and pay my respects to their Elders past, present and emerging.

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